Boulez and the new, getting old (Or ‘Boulez is not dead, yet’).

For a variety of reasons I’ve been thinking recently about, in need of ‘clever-er’ words, “newness” and “oldness”. Last night I travelled to London to hear two of the concerts in the latest series of the BBC Symphony Orchestra’s inspired and inspiring Total Immersion days. It was in celebration of the former enfant terrible of classical music, Pierre Boulez, and his 90th Birthday.

Continue reading “Boulez and the new, getting old (Or ‘Boulez is not dead, yet’).”

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Boulez and the new, getting old (Or ‘Boulez is not dead, yet’).

Selling the Vanguard

The San Francisco Symphony has a series called Soundbox aimed at attracting a younger audience with a ‘cooler vibe’ than we’re told classical concerts have. Great. It sounds, and looks interesting. It is elegantly made, and executed, with intelligent, compelling musical programming. Sure it’s dressed up with nice lights, a gig ambience and the hope of drawing in people conscious of the cool, but why wouldn’t those be good things? They’re doing good work and even extending everyone’s musical horizons on the way. It served to highlight my uncomfortableness with a similar project closer to home.

Continue reading “Selling the Vanguard”

Selling the Vanguard

The Australian Symphony – In search of Australia’s 9 ‘Greats’

I recently saw an article attempting to find a list of 9 Great Symphonies each by a different American Composer. Ever noticed how symphonies are always ‘great’… and never make double digits? This article was a spin-off from another article in-turn spun-off from a Facebook game so I guess that makes this commentary on commentary on commentary ‘ad inceptionitum’. I immediately began to wonder what this game might look like for Australian Symphonies. Continue reading “The Australian Symphony – In search of Australia’s 9 ‘Greats’”

The Australian Symphony – In search of Australia’s 9 ‘Greats’

the digital-analogue analogue

It’s ironic that my first ever blog post for this new venture was written out by hand – in my terrible scrawl – with pen and paper but I’m also secretly pleased it happened that way.

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In a week where my computer gave up entirely and so I was forced to confront how practically (and emotionally) invested I am in that very different kind of ‘notebook’, I used the inability to e-mail as an excuse to write out some thoughts about music. I will try and keep this up, as and when it occurs to me, and post anything that catches my mind, or my mind’s-ear.

the digital-analogue analogue