Composing thoughts on Andrew Durkin’s ‘Decompsition: A Music Manifesto’

I’m currently reading Andrew Durkin’s ‘Decomposition: a Music Manifesto’. It’s refreshing, insightful, and very readable, despite its size. Plenty to agree with, to champion, and plenty to disagree with too – exactly what I want from a book – and as it’s primarily concerned with music, generally, and authorship/authenticity more specifically, it’s rather an ideal book for me. Continue reading “Writing about music is like dancing about apocrypha” →