Writing about music is like dancing about apocrypha

Composing thoughts on Andrew Durkin’s ‘Decompsition: A Music Manifesto’

I’m currently reading Andrew Durkin’s ‘Decomposition: a Music Manifesto’. It’s refreshing, insightful, and very readable, despite its size. Plenty to agree with, to champion, and plenty to disagree with too – exactly what I want from a book – and as it’s primarily concerned with music, generally, and authorship/authenticity more specifically, it’s rather an ideal book for me. Continue reading “Writing about music is like dancing about apocrypha”

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Writing about music is like dancing about apocrypha

Boulez and the new, getting old (Or ‘Boulez is not dead, yet’).

For a variety of reasons I’ve been thinking recently about, in need of ‘clever-er’ words, “newness” and “oldness”. Last night I travelled to London to hear two of the concerts in the latest series of the BBC Symphony Orchestra’s inspired and inspiring Total Immersion days. It was in celebration of the former enfant terrible of classical music, Pierre Boulez, and his 90th Birthday.

Continue reading “Boulez and the new, getting old (Or ‘Boulez is not dead, yet’).”

Boulez and the new, getting old (Or ‘Boulez is not dead, yet’).